TY - JOUR
T1 - Developing musical independence in a high school band
AU - Weidner, Brian N.
N1 - This qualitative case study describes how a band director, whose objectives included the development of musical independence, designed his classroom, curriculum...
PY - 2015
Y1 - 2015
N2 - This qualitative case study describes how a band director, whose objectives included the development of musical independence, designed his classroom, curriculum, and instruction and how his students experienced this pedagogical practice. Teachers and students of a secondary-level concert band were observed and interviewed over the course of an 8-week concert cycle. The lead teacher utilized a constructivist approach comprised of three interrelated elements: a deliberately structured band environment, teacher-moderated instruction, and student-led engagement. The teacher-moderated and student-led elements were situated within an educational space that emphasized musical rigor, social engagement, and extramusical skills. This environment promoted students' musical growth with support from social and extramusical resources. The teacher facilitated learning through scaffolded instruction that included modeling, guided problem solving and decision-making, and intentional vagueness. These strategies invited students to actively engage in critical thinking and take personal responsibility within the large ensemble setting. Students applied their learning from teacher-moderated instruction to student-led music opportunities in both large and chamber ensembles. The teacher monitored but did not participate in student-led activities, allowing the students to make their own musical diagnoses and decisions. He used his observations to determine specific student needs and inform his own instructional practice. Students demonstrated musical independence to varying degrees as the teacher facilitated learning differently dependent on student, content, and situation.
AB - This qualitative case study describes how a band director, whose objectives included the development of musical independence, designed his classroom, curriculum, and instruction and how his students experienced this pedagogical practice. Teachers and students of a secondary-level concert band were observed and interviewed over the course of an 8-week concert cycle. The lead teacher utilized a constructivist approach comprised of three interrelated elements: a deliberately structured band environment, teacher-moderated instruction, and student-led engagement. The teacher-moderated and student-led elements were situated within an educational space that emphasized musical rigor, social engagement, and extramusical skills. This environment promoted students' musical growth with support from social and extramusical resources. The teacher facilitated learning through scaffolded instruction that included modeling, guided problem solving and decision-making, and intentional vagueness. These strategies invited students to actively engage in critical thinking and take personal responsibility within the large ensemble setting. Students applied their learning from teacher-moderated instruction to student-led music opportunities in both large and chamber ensembles. The teacher monitored but did not participate in student-led activities, allowing the students to make their own musical diagnoses and decisions. He used his observations to determine specific student needs and inform his own instructional practice. Students demonstrated musical independence to varying degrees as the teacher facilitated learning differently dependent on student, content, and situation.
KW - constructivist
KW - music education
KW - secondary education
KW - student-led engagement
KW - teacher-moderated instruction
UR - http://www.jstor.org/stable/10.5406/bulcouresmusedu.205.0071
U2 - 10.5406/bulcouresmusedu.205.0071
DO - 10.5406/bulcouresmusedu.205.0071
M3 - Article
JO - Bulletin of the Council for Research in Music Education
JF - Bulletin of the Council for Research in Music Education
IS - 205
ER -