Abstract
In 1994, Byron de la Beckwith was convicted for the 1963 murder of civil rights activist Medgar Evers. Journalism coverage of the trial and the 1996 docudrama Ghosts of Mississippi crafted a social values transformation myth that depicted Beckwith as the primary villain of civil rights past and cast his conviction as a sign that racism had been cleansed from Mississippi. Popular media naturalized this myth intertextually though narrative repetition and through symbolic cues that established the film as a source of historic understanding. These cues deflected critical attention from contemporary social conditions that have maintained racial inequity and continue to prompt racially motivated hate crimes.
| Original language | American English |
|---|---|
| Journal | Scholarship and Professional Work - Communication |
| Volume | 72 |
| Issue number | 1 |
| DOIs | |
| State | Published - Jan 1 2008 |
Keywords
- Byron de la Beckwith
- Civil Rights
- Ghosts of Mississippi
- Hegemony
- Transformation Myth
Disciplines
- Communication
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